BENEFIT CONCERT at LA BELLONE, BRUXELLES
TOINE THYS & ZOURATIÉ KONÉ
24/10/2022 – 18h30 DOORS – 19h00 SHOW

Toine Thys est un saxophoniste de jazz. Basé à Bruxelles il joue le ténor, le soprano, et la clarinette basse. Compositeur et leader de nombreux projets (OVERSEAS, Orlando, Toine Thys Trio…), lauréat de l’Octave de la Musique (2021), co-fondateur de l’école des Ventistes du Faso (Burkina Faso). https://www.toinethys.com/

Zouratié Koné (zouratiekone.com) est Maître percussionniste issu d’une famille de Griots (artistes guérisseurs traditionnels). Il est né au Burkina Faso, et a vécu au Mali et en Côte d’Ivoire. Il s’est approprié de multiples traditions ouest-africaines. Chanteur, musicien et fabriquant d’instruments musicaux, il est reconnu comme maître sur de nombreux instruments. https://zouratiekone.com/fr/


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LE PROJET GHETTO CLASSICS
AVEC FERRAGUS

En plein bidonville à Nairobi, Kenya, des jeunes de moins de 18 ans peuvent se tourner vers la musique. Dans une école aménagée avec déjà quelques financements, la découverte, la passion et la discipline quotidienne permet à toutes et tous de s’améliorer et avancer dans la vie. L’éducation musicale (classique et Jazz) dispensée par Elizabeth Njoroge et l’équipe de Ghetto Classics permet aujourd’hui à plus de 1500 élèves à travers le Kenya de pratiquer un instrument, de jouer en orchestre et même parfois de voyager.

Ferragus et Toine Thys ont concocté un workshop de 10 jours, entre stage de découverte et masterclass autour du jazz, pour sensibiliser et faire découvrir et développer en chacun une passion, un instrument. En participant au concert présenté à La Bellone, vous contribuez au financement de l’initiative GHETTO CLASSICS.

 

 

Ferragus’ purpose is to organise cultural and philosophical events, including exhibitions and publications, as well as to arrange and support charitable and educational activity in all countries and fields.


Ivan Vandermeersch, Chairman
Natalie Nicaise, Treasurer
Robert Hostetter, Board Member
Peter de Groote, Managing Director
ASBL: 679.946.343

 

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[ 20 € annual subscription fees – bank transfer to BE94 3631 6803 0514 / BIC : BBRUBEBB]

 

 

 

[ More about Ferragus ]

Discover the book «Metalworking in West Africa»

[ More about the book ]

info@ferragus.orgContact us at info@ferragus.org to get in touch with us.
Ferragus is a Belgian association based in Brussels.

METALWORKING IN WEST AFRICA




90€ – Free shipping (UE)
Published in 2020 – ISBN 9789401471596

Alternatively, pay by bank transfer and send us
your shipping address by email at info@ferragus.org
BE94 3631 6803 0514 / BIC : BBRUBEBB

 

LILITH,
Georgette de Groote-Tanghe


Original design (plaster) created in 1987 casted posthumously in 2021 by Kunstbronsgieterij De Groeve, Merelbeke. 12 copies, numbered, dated and signed with the artist’s mark (a little pair of pliers, Tanghe means pliers) 1500,-€

 

[ Download the presentation booklet FRNLEN ]

Acquire this artwork by sending 1500,-€ to
ASBL Ferragus BE94 3631 6803 0514 / BIC : BBRUBEBB
Invoice available at info@ferragus.org

Ferragus’ purpose is to organise cultural and philosophical events, including exhibitions and publications, as well as to arrange and support charitable and educational activity in all countries and fields. To those who work for the Ferragus non-profit organisation, liberty, fraternity and equality are more than just empty words. Yet this does not mean that we are egalitarians who want to level down. In today’s society, difference is accepted as an ideal – it is sought out, because difference is the starting point for building bridges. And that’s as it should be between humans. It’s a question of humanism.

 

In the name of difference, everyone is welcome to work with Ferragus, regardless of skin colour, and be they practising or lapsed Catholics, pastors, defrocked priests, liberals, socialists, communists, straight or gay, transgender, and so on. Likewise, difference is looked for in the artistic activities that Ferragus will organise. Music will dialogue with painting; jazz and reggae will converse with classical music; Broadway will be seen virtually side by side with Offenbach. This explains why we are promoting this book on metal in African art, alongside everything previously published on African wooden objects.

 

The goal is to decode the ‘why’ behind things. To be able to work with Ferragus, you need the ability to listen: to hear, decode and then respond – in a manner that is respectful of everyone’s views, in the name of that quest for difference which is so dear to Ferragus. Prohibition will be prohibited. This principle of looking for difference also means that Ferragus does not turn a blind eye to those who are most deprived. The proceeds from this book will go to a non-profit organisation that gives disabled children the chance to practise team sports. As Antoine de Saint-Exupéry said, ‘It is only with the heart that one can see rightly; what is essential is invisible to the eye.’

 

Ferragus is a Belgian association based in Brussels, contact us at info@ferragus.org to get in touch with us.

METALWORKING IN WEST AFRICA
All images belongs to ASBL Ferragus

For too long, African metalworkers, blacksmiths and foundry men were, with the exception of the creators of the Benin and Ife sculptures, regarded as skilled craftsmen rather than as artists. However, in some communities, the masters of forge and foundry richly deserve to be classified as artists. This catalogue is the result of the collaboration between the collector Christine Waelbroeck-van Gaver and the author. The catalogue highlights the art of metalworking in West Africa and features pictures of 264 artefacts, several of them are major works of art, others are extremely rare.

 

 

The author, Peter de Groote, studied law, political sciences and cultural anthropology, he did field work on Sumba and in several African countries, he is a retired tribal art dealer, a retired lecturer on African art and an expert in non-European art for public and private institutions. For 27 years he’s been delegated administrator of the Friends of the Royal Museum of Central Africa. He’s been interested in metalwork for over 30 years.

 

Author: Peter de Groote

Pictures: Julien Sales

Graphic Design: Maxine Ying & Louise Rigaux

Responsible for the publication: Louise Rigaux